[Aquanet] mineral violet?
pat davis
peedee at nucleus.com
Sat Dec 8 19:24:35 EST 2007
Hi, Miriam
I went to the paints section at Handprint and below is the information I
got. Mineral violet is the Maimeri name, but apparently it is PV 16 so
the same pigment is used as shown by other manufacturers. I have not
used any of these personally, however, so there may be differences.
FWIW
pat
>
>
>
> *PV16* /manganese ammonium pyrophosphate (1868)/ manganese violet
> Daniel Smith 038 3 2 62 2 3 2 327 +1 8,8
> *PV16*
> permanent mauve Winsor & Newton 491 2 1 68 4 1 2 332 +3 8,8
> *PV16*
> mineral violet MaimeriBlu 460 0 3 64 1 3 1 329 +2 8,8
> *PV16*
> manganese violet DaVinci 254 2 1 60 2 1 1 332 +7 8,8
> *PV16*
> manganese violet - blue Old Holland 196 3 0 48 3 3 0 334
> +4 8,5
>
> <http://www.handprint.com/HP/WCL/IMG/RC/rcPV16.jpg> Manganese violet
> PV16 is a very lightfast, semitransparent, lightly staining, dark
> valued, dull *purple*
> <http://www.handprint.com/HP/WCL/palette1.html#purple> pigment,
> available from 4 pigment manufacturers worldwide. The *ASTM*
> <http://www.handprint.com/HP/WCL/pigmt6.html#bluetable> (1999) rates
> its lightfastness in watercolors as "excellent" (I) and my 2004 tests
> agree. In watercolors PV16 undergoes a moderate *drying shift*
> <http://www.handprint.com/HP/WCL/cds.html>, lightening and losing
> saturation.
>
> The PV16 pigment is very consistent across paint manufacturers.
> *Daniel Smith manganese violet* was a principal source for this
> pigment: slightly bluer and lighter valued than other brands, and
> blossoming more when rewetted. The Winsor & Newton permanent mauve,
> previously available only in dry pans, is now (2005) available in a
> tube formulation; it has a slightly less saturated, and darker color
> that lightens into effective tints and lifts almost completely to
> produce cutouts or sculptured edge effects. The MaimeriBlu mineral
> violet is more staining and very opaque. Hilary Page noted
> discoloration in her sample of Old Holland, which may not have been a
> single pigment paint; my swatch began life as a dull, scabby purple,
> not at all pleasant to look at, and the vehicle (or pigment?)
> discolored to a browish cast after about a month of sunlight exposure.
> Two thumbs down!
>
> PV16 is the most lightfast balanced purple pigment available in
> watercolors, and its recent addition to the DaVinci and Winsor &
> Newton is a welcome development. While it has an assertive and
> distinctive pigment personality, this becomes less conspicuous when
> the paint is part of a shadow mixture. It is attractive both in full
> strength and wash applications, but for the most characteristic color
> appearance it must be applied with confident, juicy brushstrokes and
> left to dry without fussing or retouching. It is especially good in
> floral painting, both as a muted floral color and to add texture and
> body to browns mixed with deep yellow or orange paints. The same hue
> can be mixed from ultramarine blue (*PB29*
> <http://www.handprint.com/HP/WCL/waterb.html#PB29>) with quinacridone
> rose (*PV19* <http://www.handprint.com/HP/WCL/waterc.html#PV19R>) or
> quinacridone violet (*PV19*
> <http://www.handprint.com/HP/WCL/waterc.html#PV19B>), depending on
> whether you want more saturation or darker values. In many respects,
> PV16 handles like thioindigo violet (*PR88*
> <http://www.handprint.com/HP/WCL/waterc.html#PR88>) and can play a
> similar role in landscape or botanical palettes. See also the section
> on *manganese*
> <http://www.handprint.com/HP/WCL/pigmt1b.html#manganese> pigments.
>
>
miriam wrote:
> Mineral Violet was on my supply list for an upcoming
> Charles Reid workshop.
>
> Has anyone used it and is it different from Cobalt Violet/ Winsor Violet or Carbolzene Violet?
>
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