[Aquanet] mineral violet?

pat davis peedee at nucleus.com
Sat Dec 8 19:24:35 EST 2007


Hi, Miriam

I went to the paints section at Handprint and below is the information I 
got. Mineral violet is the Maimeri name, but apparently it is PV 16 so 
the same pigment is used as shown by other manufacturers. I have not 
used any of these personally, however, so there may be differences.

FWIW
pat

>
> 	
> 	
> *PV16* 	/manganese ammonium pyrophosphate (1868)/ 	manganese violet 
> Daniel Smith 	038 	3 	2 	62 	2 	3 	2 	327 	+1 	8,8
> *PV16* 	
> 	permanent mauve 	Winsor & Newton 	491 	2 	1 	68 	4 	1 	2 	332 	+3 	8,8
> *PV16* 	
> 	mineral violet 	MaimeriBlu 	460 	0 	3 	64 	1 	3 	1 	329 	+2 	8,8
> *PV16* 	
> 	manganese violet 	DaVinci 	254 	2 	1 	60 	2 	1 	1 	332 	+7 	8,8
> *PV16* 	
> 	manganese violet - blue 	Old Holland 	196 	3 	0 	48 	3 	3 	0 	334 
> +4 	8,5
>
> 	<http://www.handprint.com/HP/WCL/IMG/RC/rcPV16.jpg>  Manganese violet 
> PV16 is a very lightfast, semitransparent, lightly staining, dark 
> valued, dull *purple* 
> <http://www.handprint.com/HP/WCL/palette1.html#purple> pigment, 
> available from 4 pigment manufacturers worldwide. The *ASTM* 
> <http://www.handprint.com/HP/WCL/pigmt6.html#bluetable> (1999) rates 
> its lightfastness in watercolors as "excellent" (I) and my 2004 tests 
> agree. In watercolors PV16 undergoes a moderate *drying shift* 
> <http://www.handprint.com/HP/WCL/cds.html>, lightening and losing 
> saturation.
>
> The PV16 pigment is very consistent across paint manufacturers. 
> *Daniel Smith manganese violet* was a principal source for this 
> pigment: slightly bluer and lighter valued than other brands, and 
> blossoming more when rewetted. The Winsor & Newton permanent mauve, 
> previously available only in dry pans, is now (2005) available in a 
> tube formulation; it has a slightly less saturated, and darker color 
> that lightens into effective tints and lifts almost completely to 
> produce cutouts or sculptured edge effects. The MaimeriBlu mineral 
> violet is more staining and very opaque. Hilary Page noted 
> discoloration in her sample of Old Holland, which may not have been a 
> single pigment paint; my swatch began life as a dull, scabby purple, 
> not at all pleasant to look at, and the vehicle (or pigment?) 
> discolored to a browish cast after about a month of sunlight exposure. 
> Two thumbs down!
>
> PV16 is the most lightfast balanced purple pigment available in 
> watercolors, and its recent addition to the DaVinci and Winsor & 
> Newton is a welcome development. While it has an assertive and 
> distinctive pigment personality, this becomes less conspicuous when 
> the paint is part of a shadow mixture. It is attractive both in full 
> strength and wash applications, but for the most characteristic color 
> appearance it must be applied with confident, juicy brushstrokes and 
> left to dry without fussing or retouching. It is especially good in 
> floral painting, both as a muted floral color and to add texture and 
> body to browns mixed with deep yellow or orange paints. The same hue 
> can be mixed from ultramarine blue (*PB29* 
> <http://www.handprint.com/HP/WCL/waterb.html#PB29>) with quinacridone 
> rose (*PV19* <http://www.handprint.com/HP/WCL/waterc.html#PV19R>) or 
> quinacridone violet (*PV19* 
> <http://www.handprint.com/HP/WCL/waterc.html#PV19B>), depending on 
> whether you want more saturation or darker values. In many respects, 
> PV16 handles like thioindigo violet (*PR88* 
> <http://www.handprint.com/HP/WCL/waterc.html#PR88>) and can play a 
> similar role in landscape or botanical palettes. See also the section 
> on *manganese* 
> <http://www.handprint.com/HP/WCL/pigmt1b.html#manganese> pigments.
>  
>


miriam wrote:
> Mineral Violet was on my supply list for an upcoming
> Charles Reid workshop.
>
> Has anyone used it and is it different from Cobalt Violet/ Winsor Violet or Carbolzene Violet?
>
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